%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 19 0 R ] /Count 2 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R /F5 12 0 R /F6 14 0 R >> /XObject << /I1 15 0 R /I2 16 0 R /I3 23 0 R /I4 24 0 R >> /ExtGState << /GS1 17 0 R /GS2 18 0 R /GS3 21 0 R /GS4 22 0 R >> >> /MediaBox [0.000 0.000 612.000 792.000] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Producer (dompdf 1.0.2 + CPDF) /CreationDate (D:20241222121840+00'00') /ModDate (D:20241222121840+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1808 >> stream xXMo6WLo-(nm&E(H-I }g_.SaIJl3 H4MTT^.ZcGw+)[%)=n~M~++c_\Pdiqʤ]^%%qA'op)oxW"K%u:MXxXP2+MQ4.u-.|?qXNk#,.0ݻ~?%ƺ2S[bGKtGƒ?LvIe>+dYrIJ/Ru֝]&ϓ*?^'H鯦UZz%5'%[lhPI1 M/KK"Yʒ:+%i%C'*/%_ހ8/842yJ!^Xj,ԜN6 gJN :U2 4٘ u oUhESB=c-@e=";iof"QnI3 %ݍ@FX5sՃ{n>1iܑyY12Mb qEF\0 N^vG1“v/𼰯G&=F\A]bt %V :o E,&!2(ӪIOyWPg1D|8d[c3BX֠ga-BNVV!2p011(i";dmqj;.,2ʾ(/͔p 1g }7y8ޚ W_4 )DG$M'evUmjnj䟠zp!>d|I! Ǻd \^$g:9ɱ֢sfJU< ::bX쬀r}A $1qG_O=zAa}Tq7T!Rc ]8i>8aUhi4ĸTOZO7RxbUK<`$tbs#zL!=Wgetw,,'몸lrwc LP\?Hu'Ңv_e:Y5.dw> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Font /Subtype /Type1 /Name /F5 /BaseFont /Helvetica-Oblique /Encoding /WinAnsiEncoding >> endobj 13 0 obj [6 0 R /Fit] endobj 14 0 obj << /Type /Font /Subtype /Type1 /Name /F6 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 15 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj 17 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 18 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 19 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 20 0 R >> endobj 20 0 obj << /Filter /FlateDecode /Length 1404 >> stream xVM6ﯘZ`^Ia4r(z%JbW"M}Cَ0Xxi$͛7WYRzW7/ϨvyM4M򿭯mi,M՚%Q')m+?僕'/V`yc/5^\\ϒe\m;N*c7'Tx,B0:6Gma}1uY#dU«l }X3ӊRꭩ` eGmfWF @&t[vD'<zfoht)-5f@ص{0ep$3jNԴRcPfdJ#P ~#&Vy_HK?{aΙz* f'wF6cb{nv| fjP ΉZr +B/yJgKC9cQqx+֌9R#[T,}u4UJ5e1p}$x{r10'Oq^q:cl䈁xtߓt3逞 k5R&OPcyL!ڡY@}<++>h1py* 쎍Z]rG p1bc`8-61PN^J? qzt1`5z3T 8e5;LQ:GJ-1YzLV) ݙoah6CYob}+Mvh1n=] k8!aЅ4f0L`Pb1 bmўer¥+xpԚQ-+%dyd3q> EG7szn]YxSLvsS(D-[_ $>CU$_Wd^:qyv~4/Gd>sgP˭[2 endstream endobj 21 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 22 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj 23 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj xref 0 25 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000461 00000 n 0000000498 00000 n 0000000647 00000 n 0000000750 00000 n 0000002631 00000 n 0000002738 00000 n 0000002846 00000 n 0000002956 00000 n 0000003069 00000 n 0000003185 00000 n 0000003214 00000 n 0000003324 00000 n 0000008899 00000 n 0000010030 00000 n 0000010089 00000 n 0000010148 00000 n 0000010253 00000 n 0000011731 00000 n 0000011788 00000 n 0000011845 00000 n 0000017420 00000 n trailer << /Size 25 /Root 1 0 R /Info 5 0 R /ID[<95561e731bbce124f03e1768d358295a><95561e731bbce124f03e1768d358295a>] >> startxref 18551 %%EOF On the Corner | Caring Magazine

On the Corner

Listen to this article

Odds and Ends

by Robert Docter – 

Some bits and pieces of life fall together as fragments. We give them special meaning deserving casual attention, but fail to allow them the efficiency of categorization. We place them carefully in old cookie tins or cardboard boxes and lay them on dark shelves in ignored corners to be used at a future date as something special or historical. They have “possible” value in the future—but are seen as almost valueless in the present. They are remnants of past wholes—scraps stashed with other scraps. About them we attach the word “maybe.” Maybe I’ll want this someday—maybe I’ll find a way to use this—maybe I shouldn’t throw this away. They are odds and ends.

I wonder, sometimes, whether society classifies the Army as something for the “odds and ends” box—as something that formerly fit but is now simply a remnant of a by-gone age. Society has often tended to perceive it as “odd.” Only a few outside the movement have any insight into its actual “ends,” or reason for being.

No! This Army hasn’t been stashed in any “odds and ends” box yet. This Army has never and will never be perceived as “valueless.” Neither are we remnants of a by-gone age.

BUT . . .
The group of people who trumpeted attacks on new communities with posters and broadsides—with newspaper articles using words like “besieged”—or “batteries”—or “waging war”—the organization that brought religion to the streets, that advocated for the poor with marches and sit-ins, that picked up drunks on Broadway in horse-drawn hay wagons and gave alcohol recovery its principle metaphor—being “on the wagon”—that organization…has become sedately silent—dignified—or even worse, acceptable.

Somehow, we have turned holiness into something pious rather than claiming acts of mercy as imperatives. Somehow we have raised a few generations who seemed embarrassed by the behavior of their Army elders and have turned “the Sunday morning meeting in the hall” into a formal liturgy in the sanctuary.

It’s not necessarily a compliment for people to feel nostalgic about the Army. If they do—it’s because we’re not telling our story.

This Army is made for the use of massed media—and nowhere—no—where are we using media effectively. We had more radio programs on the airwaves in the 1930’s than are heard now. If William Booth were alive I wonder how many cable television channels we’d own. Why are we leaving this vacuum to the likes of the “hairspray and eyeliner” network—or to the overly political Robertsons or Dobsons? We’ve got a message that is unique to the Army that needs to be told—AND ITS NOT HAPPENING! If we want to be something other than ready for the “odds and ends” box, we should own our own television channel and provide 24 hours of daily programming nationally. Just off the top of my head, we could develop the kind of programming that provides opportunity for discussion of moral issues, examination of relevant social topics, education on a wide range of matters concerning the family, exploration of life choices, providing insight into addiction, presenting news concerning welfare matters, recruiting volunteers, exa
mining the impact of homelessness on communities, probing the addictive nature of gambling—and last but not least, we could provide Bible study and messages stimulating spiritual growth.

How many public relations directors in divisional headquarters cities know the names of the city editors in their town? How many have visited the city rooms in the past few years to plug a story? If the answer is meager—it’s probably worse among officers who handle their own public relations in smaller towns. Getting stories printed in local papers is a function of the quality of the relationship between the story’s writer and the paper’s editor. No relationship—no story.

People who discover us love us. Often they are our very best promoters. Why not tell this story with a louder voice. If we do, no one will be ready to assign us to the odds and ends box.


You May Also Like