%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 19 0 R 25 0 R 29 0 R ] /Count 4 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R /F5 12 0 R /F6 14 0 R >> /XObject << /I1 15 0 R /I2 16 0 R /I3 23 0 R /I4 24 0 R /I5 27 0 R /I6 28 0 R /I7 31 0 R /I8 32 0 R >> /ExtGState << /GS1 17 0 R /GS2 18 0 R /GS3 21 0 R /GS4 22 0 R >> >> /MediaBox [0.000 0.000 612.000 792.000] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Producer (dompdf 1.0.2 + CPDF) /CreationDate (D:20241222212023+00'00') /ModDate (D:20241222212023+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1809 >> stream xXێF}Wcsx^cAC(ψwsI]ݧ0bWW9uUqLfŸUeŚgN:~GwF%14T䰗@mlƿJ?ЛէQO6dI86(yݯ(ơחpgB}ObwoWIT\ݔz;ITqտү|c%҂ɲU*n;%.f3w`,`i`t{Ivӆq4 > g#C ~%L;ٴR4iN8r$(NբWdֳ ' TTf ],{= @/M^bi\E몜˷Gz{ѵxCtK:4-%_; HV,Dn9wz+8C2*4`Z5tAQ&KK[9H#m`D4|'G#-\DQ;^G鑝'_鬊r0aY==[q 2Q/ rzԂKFCFܑ&+%k phI2)CX!=H|EYda ؏H@\ZD!$J3^vF~^ GEF2qOElNۏvQX [Z Q[ܛ,,n9-84F9 d^?Uln;9`zBծ 7*EDwnV9n~\UBP;H9+P }hU畝I}vF4KTt_||f=FBHU˶Nu]!Jbh7t^D)TI N#"T6ZC՗Oe6 Ź`C 3!|s;eNšGED`5?{H5bKE$xlAw>}u0a?ũm~vb/7 DG endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Helvetica /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Font /Subtype /Type1 /Name /F5 /BaseFont /Helvetica-Oblique /Encoding /WinAnsiEncoding >> endobj 13 0 obj [6 0 R /Fit] endobj 14 0 obj << /Type /Font /Subtype /Type1 /Name /F6 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 15 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj 17 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 18 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 19 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 20 0 R >> endobj 20 0 obj << /Filter /FlateDecode /Length 1674 >> stream xWn6+lvw5E-1TIʆMݞKɎr,Dу{yY?ut-$I_|{2l҄g-o)K3~wY(W'f=:~t γъګZ7dǾZʪyzhR7.6ݦ4SR80qA:oaoz& 0oXש1bY<"$@m^XkM#0ASf&jmJ'fj;qm E&xYu & G廰k*j%{0vO^ahҜ'iL$wu KwƲ,g}{\Wxو_̄OGih}`E&ѯ}{{ 񤘏 O/2>^v-H9:ڴZyuw8HÚUg اQ~yjEI8t-Gg3񤊩szc.xƤuW[\࣑ J:_ͱ_o:Wڧb S3QLJKh6|Sh-6i^&|Gz^_1dzYSto$)O*b4nVa)J 0 M#`pv&*2oxQƴs\5C.\~2 㨰J?R4M%‰"!ypMʷIL> oR scNiXlPxgr\r,𴌉)Rحf3aT߇Q#+Csey~$S`y‹6R>0˝NiɷEL'GN5dSup ?(:X4FBŴ3hAQBA#UG p%ɯgi˽l', "{l܌~)'v<ͨZ3]F1a(Ch!jTk/'DtŒ1H$]L?`gbOEɳN@k7])GJbR_#L/ ݭ"T:_!p6!9Se|BqB!4.+{8?h\/&no|*v`ߙr|vdGml@D_ˍmŁ{Wб;G\ϗQ}r_t`O{FKG\VJ.^n eֿE endstream endobj 21 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 22 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj 23 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj 25 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 26 0 R >> endobj 26 0 obj << /Filter /FlateDecode /Length 1651 >> stream xWM6ﯘc8dI-6 `ȡ遖hD*$3}C^oͱv o7oތ#?]_wYgiJ;eY'՚j,)[$)wQ}$6-)MK:{'ݽ.dXˀn KjkD%f}/u3Y|V:~ꕩqj)f1PuYPBc4>Gȯ&)Mf >wCGbVFxe4?}PQ̒ź$cE/G18S@穕B+͌YS]2:KsVhO$vb,Wie[{Q5-pLFެr"7RfbI$bZ}%5 yELz˘*ot\auM--TE5'C1Pig,UX=G-[wFk+ZA^%twNυLOr˘T5L*樂AN?pӐK7ñ)wpcqɟ@T," d99(J( .E*276 ɪ\$SLh)pX{Ȍ[܏ļT AHyJ6q"Ҙǃ EdkSzX XUV]>'k<}l+dpTMx7dQ11zv:cXd.C{ PQ&Y+4K [+ת?lG4jWNh oͨxLbJoȴUlOX,Mdz^=KwB/Zd 4ewϮ,O9:btxm !qmjTîPr OO=޼}qs)uZ 2M(mhSbos襱}U VX23ZԂ^Z"M0w9Jt[l<.w*p`5h8g95N0WnH1L̂K9&x;l ĿYds0'dۧ88e>0#NN~y ,FD Ay]a++ѻiw='[k+%^ez4XH&~L%/S iԸR+D -BسO> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj 29 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 30 0 R >> endobj 30 0 obj << /Filter /FlateDecode /Length 961 >> stream xUn6}Wc6/AiR$E($$ee ͡d;Z셒9sEr)7}ؾN(ߴ?(͗b_dWҡ9 짎[AN^JVNN#J4LVVXr0Tč r8^H5z|Z 0F:exa?H:}V;csL{[r]f ](.l/w)ۗ-?lğ k؂ѓ.'ֲm Jc3 endstream endobj 31 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj xref 0 33 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000519 00000 n 0000000556 00000 n 0000000705 00000 n 0000000808 00000 n 0000002690 00000 n 0000002797 00000 n 0000002905 00000 n 0000003015 00000 n 0000003128 00000 n 0000003244 00000 n 0000003273 00000 n 0000003383 00000 n 0000008958 00000 n 0000010089 00000 n 0000010148 00000 n 0000010207 00000 n 0000010312 00000 n 0000012060 00000 n 0000012117 00000 n 0000012174 00000 n 0000017749 00000 n 0000018880 00000 n 0000018985 00000 n 0000020710 00000 n 0000026285 00000 n 0000027416 00000 n 0000027521 00000 n 0000028555 00000 n 0000034130 00000 n trailer << /Size 33 /Root 1 0 R /Info 5 0 R /ID[<6eb468deb81c72dc6c1de31fd7c03e72><6eb468deb81c72dc6c1de31fd7c03e72>] >> startxref 35261 %%EOF Trends and challenges in worship | Caring Magazine

Vol. #28

Grace Uncovered

Read Issue

Latest Impact StoriesView All

Popular Topics

PopularView All

Trends and challenges in worship

May 19, 2008
5 minute read
Total
0
Shares
0
0
0
Listen to this article

Redhead looks at the evangelical Church and The Salvation Army

by Gwenyth Redhead, Colonel –

The last appointments that my husband Robert and I held were unique. As The General’s Representatives for the Development of Worship and Evangelism through Music and Other Creative Arts we had the opportunity to see at first hand trends and challenges in worship on every continent of the world, which we then compared with observations gained from the many books and articles we read on the subject.

Although it was not possible for us to visit every territory and command, we were able to have a bird’s eye view of worship in 32 countries—enough to discern current trends and challenges with some degree of accuracy. During our visits we met in seminars, workshops and focus groups with those in the front line of ministry; we then met the leadership of the territories and commands to compare their observations with the perspective of those at the grass roots and with our own observations.

What follows is a summary of our findings. The summary represents a continuum, with some parts of the world at one end, and others at the other, and yet others at different places in between.

Trends
Before looking at trends in The Salvation Army, I would like to draw attention to the fact that we do not exist in a vacuum but as a part of the evangelical Church and that some trends identified can be seen throughout the evangelical Church.

The emerging church
Evangelicalism is changing worldwide as we move further into the 21st century. The most recent trend is described in a relatively new phrase, “The Younger Evangelicals.” This refers to people committed to relating the gospel to our postmodern world. It is a trend of which the Army worldwide needs to be aware. While the battle between “traditional” and “contemporary” styles of worship still wages in some parts of the evangelical world, other parts have moved on.

Two major characteristics of the emerging Church, as represented by the younger evangelicals, and which impinge on Salvation Army worship practice, are the recognition of the fact that the evangelical branch of the Church belongs to the Church universal dating back to the early Church fathers, and the rediscovery of the value of some of the earliest practices of the Church.

Other trends
An increased awareness of the value of symbolism as an aid to worship
Older generations grew up in a world that communicated mainly through words. The emerging generation has grown up with an awareness of multiple forms of communication.

According to author Dr. Robert Webber, today’s young people are a visual, symbol-making generation attracted to the power and mystery of many languages that go deeper then the cognitive, verbal and print forms of communication. They want to “picture” words, visualize concepts, and symbolize commitments.

Across the denominations, younger Christians are interested in worship that is genuinely from the heart. They are moving away from “entertainment” forms of worship to more reflective forms.

Songwriters writing for local congregations
A recent wave of the moving of the Holy Spirit, linked with the advent of what are commonly known as “worship teams”—drums, keyboards, vocalists on microphones—has been the advent of singer/songwriters who fulfill the role of prophet for their own worshipping communities.

Salvation Army
Open-sided music and other creative arts groups
Many previously formal sections, as well as more-recently begun groups, are providing opportunities for participation by non-uniformed soldiers or, in some cases, non-soldiers, and in yet other cases by pre-Christians.

The groups are intentionally engaging in participation-evangelism. While some traditional groups have made the change through sheer desperation as a means to keep alive, this approach has brought many people into faith and many to soldiership and uniform wearing.

Challenges in The Salvation Army worldwide
Awareness of the need for renewal in worship
Although there is now a lessening of denominational boundaries, Salvation Army culture has been so strong and distinctive in the past, especially in its approach to meetings, that we have tended to immortalize those earlier methods. The result has been a focus on self-preservation rather than heart-worship.

As I have traveled the world, over and over again in a variety of settings the focus has been on whether or not worship is “Army” or “not Army,” though what that means varies from culture to culture rather than whether it is worship that pleases God and relates to those who gather.

Lack of freedom in corporate worship
Sadly, in far too many places there is lack of mutual respect for the fact that diversity is God’s idea, and that he has created each of us differently and longs that we respond to his revelation of himself in ways we find most meaningful, be they quiet reflection or exuberant praise.

Corporate worship is about individual members of congregations being able to participate fully.

Generation gap
In many places there is a generational gap between older music leaders (such as bandmasters) and younger members of such groups as worship or drama teams. These are areas where the implementation of a corps worship committee, representative of all ages, could assist in creating the concept of “both/and” rather than “either/or.”

Change is a present reality. To be relevant, The Salvation Army must change. In terms of worship, those who are the main influencers—territorially, divisionally and in corps—need to be willing to see this happen.

Language
The most natural communication with God takes place in one’s mother tongue. With increasingly multicultural societies growing up in many parts of the world comes the challenge of seeking to provide opportunities for different ethnic groups within congregations to worship in their mother tongue at some point in worship.

In some territories, worship and music continue to be seen as synonyms. This misunderstanding, coupled with the lack of understanding at territorial leadership level of the meaning of “creative arts,” hampered the implementation of lessons learned by delegates to the Army’s MOSAIC (International Music and Other Creative Ministries Forum held in Ontario, Canada June 2004)) forum on their return to their home territories.

Cessation of distinctive holiness and salvation focus for meetings
In many territories, most corps now hold only one meeting on a Sunday. This results in leaders trying to fulfill the aims of both holiness and salvation meetings in one gathering. Many express frustration because they fulfill neither satisfactorily.

Challenge of the multi-sensory postmodern world
In the Western world, desire is being expressed in Salvation Army congregations for the use of communion symbols. In the developing world, Salvation Army congregations are expressing a desire to use the symbolism represented by baptism. These desires need to be faced.

Challenge of how to develop potentially good musicians and other creative artists
Some territories, mainly Western, are recognizing the collapse of the traditional music sections, particularly for young people, has created a dearth of trained musicians. Some corps already have no pianists, and in one territory we were asked to present a paper on “How to worship God without music” as an alternative for a congregation struggling with singing without any live accompaniment.

So, Quo Vadis? Where do we go from here?

It is not appropriate here to offer quick-fix solutions, instead let me draw attention to the fact that if we live by Kingdom values the trends and challenges can provide new opportunities to be open to what the Spirit of God wants to do in our midst.

May we each prayerfully ask the question, “Quo Vadis?” and know the joy of worshipping God afresh in ways that bring him pleasure.

(Note: The article above was excerpted from “Quo Vadis?” which appeared in The Officer, March/April 2006—reprinted with permission.)

Download this page as a PDF

You May Also Like