%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 19 0 R ] /Count 2 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R /F5 12 0 R /F6 14 0 R >> /XObject << /I1 15 0 R /I2 16 0 R /I3 23 0 R /I4 24 0 R >> /ExtGState << /GS1 17 0 R /GS2 18 0 R /GS3 21 0 R /GS4 22 0 R >> >> /MediaBox [0.000 0.000 612.000 792.000] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Producer (dompdf 1.0.2 + CPDF) /CreationDate (D:20241125063534+00'00') /ModDate (D:20241125063534+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1894 >> stream xXv+*;Ivˋ9xH,, M"6f>*GGd$ {oyGq4g,,,_]M/WDhUERe9|O{C/~>UV+Yr:Za\g΃KʟdB{ _bOΒ(?y(v(J*(N썑gg{+tU漛,˨?7Q!N66:'eigVZ lVFVu*`_oɵnV0aQ܁o EiAk.*Ysuj<6iz#V0?g* 紬kI-hy/@"h>+X77+GLΒFD|pB" 웁wl+du/ma1t\F"E8(0}dIk(G ^^=y Cl6@PqHlN^۪3vTkizV޷…[!&v4UKzh SpYᨭU$C3"`}MtQz䌨'? `'VV$xXaI@`დ] ~C(*a95b(_J.9b~: (Py|)_?`#G`$ *&_!rJN: oQۃ!TUɚ#W$gBLN4be6 gYhJGU(/JVJ^qu΍րJt =@c2jF#kgЮ %qTnBQcdlX^TЎ(0DEN[Ks813*{#NFRn(Y/ݕHXZzXeSDiAΖ+ʿ|DMxFm S Q$J;6 :6iq+>: ~fX&L#у~:}~渶p#Wk~q!7(P)SO1A#_8܉4 VGlkzsPO[feLK]^ G<;e% $ 4/F:d9[t1KI6qAem|uPc7A;ϗ2>'ѩUb" endstream endobj 8 0 obj << /Type /Font /Subtype /Type1 /Name /F1 /BaseFont /Helvetica /Encoding /WinAnsiEncoding >> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Font /Subtype /Type1 /Name /F5 /BaseFont /Helvetica-Oblique /Encoding /WinAnsiEncoding >> endobj 13 0 obj [6 0 R /Fit] endobj 14 0 obj << /Type /Font /Subtype /Type1 /Name /F6 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 15 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj 17 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 18 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 19 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 20 0 R >> endobj 20 0 obj << /Filter /FlateDecode /Length 733 >> stream xn0Mif7HV:iic\ibvV=/@''+EU8s$d LJƙu9y8&0`|! `tCʂڂZ(snC' >(hFՎtZV K3o'Fǭj+auBc΁*a WuHO@iV`P ar55%=EW`}cZ,|ސKB5\?J{W(4씮 QW5 ,T>4eqy%ؼp[J+zq] 4Bあ@PΈu|qy-A8<ňB Aw4&ymO: :ݿ +"C_BnR Y^ {bRll0^Ap(h"̀HpVP`rC<(]Ot"8` BGs sc/䐶%>&TWC>|p%T(Зǰeɳ"{9[ZPȂ>4cA[[4B J'նJ[96T䫣I7(Y:R4jo#K#P@omtsMȔ.Odf3Y0 ),HrlᡓFnvIrMYKlq4/FGož endstream endobj 21 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 22 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj 23 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj xref 0 25 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000461 00000 n 0000000498 00000 n 0000000647 00000 n 0000000750 00000 n 0000002717 00000 n 0000002824 00000 n 0000002932 00000 n 0000003042 00000 n 0000003155 00000 n 0000003271 00000 n 0000003300 00000 n 0000003410 00000 n 0000008985 00000 n 0000010116 00000 n 0000010175 00000 n 0000010234 00000 n 0000010339 00000 n 0000011145 00000 n 0000011202 00000 n 0000011259 00000 n 0000016834 00000 n trailer << /Size 25 /Root 1 0 R /Info 5 0 R /ID[<5882629fd3aa11e3722b2d08dbf60188><5882629fd3aa11e3722b2d08dbf60188>] >> startxref 17965 %%EOF Music as ministry | Caring Magazine

Vol. #28

Grace Uncovered

Read Issue

Latest Impact StoriesView All

Popular Topics

PopularView All

Music as ministry

March 12, 2007
2 minute read
Total
0
Shares
0
0
0
Listen to this article

PERSPECTIVE

by

John W. Richmond, Ph.D., is professor and director of the School of Music at the University of Nebraska, Hixon-Lied College of Fine and Performing Arts, Lincoln, Nebraska. He has been a guest at Salvation Army music camps over the years. Here he shares some reflections on the ministry of music.

Have you ever considered how pervasive music is in our corporate worship? It doesn’t matter what your church background, it’s simply impossible to find a religious tradition that doesn’t make rich use of music (and art and storytelling and, in the case of the Old Testament, dance!).

Have you ever wondered why this is so? Why is it nearly impossible to imagine worshiping, praising, petitioning, glorifying, and interceding without the aid of hymns, songs, and other forms of sacred music?

First, it seems obvious that, as Christians, God commands us in Scripture to sing and play instruments as a part of our worship. Most of us know that the Psalms are filled with admonitions to make music as an expression of praise and worship (see examples in Psalm 33:1-4; Psalm 57:7-9; Psalm 66:1-2; Psalm 81:1-2; Psalm 71:21-23; Psalm 100:1-2, and many others). Fewer of us may remember that many other verses likewise record the central functions of music in our spiritual journey.

Think of Paul’s observations concerning our “…teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord” (Colossians 3:16-17). Perhaps we forget that after Jesus pledged that he would not drink of the fruit of the vine again until he drank it new in the Kingdom of God, that he and the disciples then sang a hymn before departing for the Mount of Olives (Mark 14:25-26). Throughout the Scriptures, we find good authority for the robust infusion of music into our worship experience.

Second, I think we are “wired” somehow to find meaning and purpose in our lives, including our spiritual lives, in musical ways. There now is good evidence emerging from cognitive science suggesting that “musical intelligence” is one of a very few discrete “intelligences” we have by which to interpret our lives and our world. We once thought that people were smart or not so smart. That is, we thought of intelligence as a unitary trait. No more. Howard Gardner (Frames of Mind: The Theory of Multiple Intelligences) and his colleagues have identified several discrete and largely independent ways that humans “know” their world. Perhaps it is no
stretch, then, to think that God desires that we “know” him musically.

Finally, I think it is no accident that the first verse of Scripture reveals God’s creative nature. “In the beginning, God created…” (Genesis 1: 1). This is the very first truth he reveals about himself in Scripture. Might it be true that one of the best ways we can live “in his image” is to imitate his creative nature by engaging in creative ways of experiencing him?

Music as ministry—and opportunity—and an obligation!

Download this page as a PDF

You May Also Like