%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 17 0 R ] /Count 2 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R /F5 12 0 R /F6 14 0 R >> /ExtGState << /GS1 15 0 R /GS2 16 0 R /GS3 19 0 R /GS4 20 0 R >> >> /MediaBox [0.000 0.000 612.000 792.000] >> endobj 4 0 obj [/PDF /Text ] endobj 5 0 obj << /Producer (dompdf 1.0.2 + CPDF) /CreationDate (D:20250717172532+00'00') /ModDate (D:20250717172532+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1310 >> stream xVn6+FoYͤAHN΢肖h$$W]{{H EUDd{="bQUoה(K+Z7t.x"Zo~ xבAAϴ@߭,(cqBߤqr<Պex_0~Ud~1("E(X<(Kr4M_+=w3G{FE83]_94t)}weiCCJFAyP\?~ɢ,C+sKڒ[ 4dvd[Aodz,* *R,#Y]( vxeT}\~["ĭQÒ6JWkNXU',-X\KoJsbY2UJ2ٌ_K`]rG%Ћ4Қb$ ZT;[5Z N[|" U2 rQv < ǫʈ^5#uqߨ==P+wmLJƸoN}7[-k./F#^j1b*7~3 ~Àܝ:d@=-@P6Z[U}7\o8)YeV 8W;hDq(#F(74W{( Y^=^V A1*MQ㺛!>v<$F;ov68=EonAS˔UUHT+uP )vh/}*gwң MLwܶ5ոsCH3͹ r{cɭN^;r (,t.;`tKxP;W#S>`CtUHTzSqn`8Y!(4?P[G ZU/tײަQ3*T> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Font /Subtype /Type1 /Name /F5 /BaseFont /Helvetica-Oblique /Encoding /WinAnsiEncoding >> endobj 13 0 obj [6 0 R /Fit] endobj 14 0 obj << /Type /Font /Subtype /Type1 /Name /F6 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 15 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 16 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 17 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 18 0 R >> endobj 18 0 obj << /Filter /FlateDecode /Length 875 >> stream xUM6xph}-E("=%1H-Iw(9Φ`=X(r޼yȇPBO}z1ޅc’$O?<(/חx`Y}SKSJ3Щ# yu<梮䍹f#[> lIjB.\Iw-~NO!gUVExAXj%N4\ѻJ%ĭǿ=Acx4b@{  W K7vr1XF[`(iRy4(g1"cyŠ+n)Ypvz uV(µmLW>H%w]TVN"{2j3}JC_xQ1 fQ[JP.k'#,Ic. BL`WGO͎336ȼ:UtA:(jpMH}!Lseo4KqC"`a6lvN1u45&pk@i7r`b3ګܪ51Ukn L4tE)ƥYRy53\u8aV VF|16ͨ |ѭ16h" #H@ҚE6ƅ^ϳp+cҒeo8CF>v.AΐĄsi!ǵWᙰH\E4Lq84A"AyћmئȎM㡢f WzŲ0~FbUrOp5gwR ?8 endstream endobj 19 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 20 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj xref 0 21 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000401 00000 n 0000000430 00000 n 0000000579 00000 n 0000000682 00000 n 0000002065 00000 n 0000002172 00000 n 0000002280 00000 n 0000002390 00000 n 0000002503 00000 n 0000002619 00000 n 0000002648 00000 n 0000002758 00000 n 0000002817 00000 n 0000002876 00000 n 0000002981 00000 n 0000003929 00000 n 0000003986 00000 n trailer << /Size 21 /Root 1 0 R /Info 5 0 R /ID[<1b581b875c76af6564c649cf7cfcc41d><1b581b875c76af6564c649cf7cfcc41d>] >> startxref 4043 %%EOF A wall of witness | Caring Magazine

A wall of witness

Listen to this article

An art scheme in Tanzania is taking the Bible to the people.

by David Watson, Major –

Major Christine Watson visits with local children in front of the wall of Bible pictures.

In the semi-rural setting of Mbeya, in the southern highlands of Tanzania, Africa, sits The Salvation Army’s Shukrni International College, surrounded on three sides by a wall topped with barbed wire and with a wire fence in front. For many years the wall, like most local structures, has remained plain gray cement.

While working on a project for disabled children, I saw other walls, mostly in schools, which had been decorated at the behest of enterprising teachers with things like physiology or biology charts and maps of the world or Tanzania.

Most Tanzanian schoolchildren have only the basicsa couple of workbooks, a pencil and a ruler. Very seldom do they have textbooks, so instead the walls themselves provided the information. Similarly, the majority of Tanzanians do not have Bibles.

Not long ago, my wife, Christine, and I visited a Roman Catholic cathedral in Songea. Its high walls surrounding the central space above naves and aisles were decorated with colorful murals depicting biblical scenes, which led to an ideawe should create a wall of witness at Shukrani College.

The staff quickly took on the thought, and finances came pouring in from friends in Australia. One teacher contacted a local Christian artist, John Chota, and a month later the wall was finished, from Eden all the way through to the last judgment.

Each of the 40 panels bears a brief caption and the relevant Scripture reference in Kiswahili, the local language. Along the top of the wall are four Scripture quotations. The final panel lists the local corps activities and portrays Jesus welcoming children.

This “Bible in pictures” is already making an impact on those who trudge the roads alongside itchildren on their way to school, women carrying their goods to and from the nearby market and young hawkers carrying their handfuls of shoes and clothes. Both the young and old stop to wonder at the stories, some even writing down notes and asking questions.

One grandmother passing by stopped with tears in her eyes.

“I cannot read but at least I have a Bible I can see,” she said.


You May Also Like