%PDF-1.7 1 0 obj << /Type /Catalog /Outlines 2 0 R /Pages 3 0 R >> endobj 2 0 obj << /Type /Outlines /Count 0 >> endobj 3 0 obj << /Type /Pages /Kids [6 0 R 19 0 R ] /Count 2 /Resources << /ProcSet 4 0 R /Font << /F1 8 0 R /F2 9 0 R /F3 10 0 R /F4 11 0 R /F5 12 0 R /F6 14 0 R >> /XObject << /I1 15 0 R /I2 16 0 R /I3 23 0 R /I4 24 0 R >> /ExtGState << /GS1 17 0 R /GS2 18 0 R /GS3 21 0 R /GS4 22 0 R >> >> /MediaBox [0.000 0.000 612.000 792.000] >> endobj 4 0 obj [/PDF /Text /ImageC ] endobj 5 0 obj << /Producer (dompdf 1.0.2 + CPDF) /CreationDate (D:20241226134851+00'00') /ModDate (D:20241226134851+00'00') >> endobj 6 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 7 0 R >> endobj 7 0 obj << /Filter /FlateDecode /Length 1876 >> stream xXMsWtnvᛤ/)y(JRjqC`H3Q^SzQjqI"(c:۫o(+IXDYnSbz5ji=}~lfj IOB^@[MMjXרݵwEuB*I =t qB~DXSwsYġ13"Dـ=mZ}6K_BP6$Z5Nq=4&xSh7/q xxtXw+m5*km;U#V^z@̑C7W4ZKIX2H /l'p甗jbK1Y!Egm۹krnmZCqNig,-m-B0wW!fMة;o$$<!#zoHg Yqf^ƭoTr1w4q.6Qb,DdQiI=+0J2mWsȼf}/ځUv!VmB=-E%8 {vU-Q\{aL9+I96;AYܵaB/ZLd8dZjQBlH`r.rb9o1;Of/".Ud8j-zw[3qɞ*dbZcAh_">  ҩ 5fkǯ>=ǯY^Uz(Cްie5&Pth Gp/ymAҗj!PlB;5$s8AJyVYp?Cr'ǻi dnPl"Dp]CE*^&N ffXPOe|m kb> endobj 9 0 obj << /Type /Font /Subtype /Type1 /Name /F2 /BaseFont /Times-Bold /Encoding /WinAnsiEncoding >> endobj 10 0 obj << /Type /Font /Subtype /Type1 /Name /F3 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 11 0 obj << /Type /Font /Subtype /Type1 /Name /F4 /BaseFont /Helvetica-Bold /Encoding /WinAnsiEncoding >> endobj 12 0 obj << /Type /Font /Subtype /Type1 /Name /F5 /BaseFont /Helvetica-Oblique /Encoding /WinAnsiEncoding >> endobj 13 0 obj [6 0 R /Fit] endobj 14 0 obj << /Type /Font /Subtype /Type1 /Name /F6 /BaseFont /Times-Roman /Encoding /WinAnsiEncoding >> endobj 15 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj 17 0 obj << /Type /ExtGState /BM /Normal /CA 0.3 >> endobj 18 0 obj << /Type /ExtGState /BM /Normal /ca 0.3 >> endobj 19 0 obj << /Type /Page /MediaBox [0.000 0.000 612.000 792.000] /Parent 3 0 R /Contents 20 0 R >> endobj 20 0 obj << /Filter /FlateDecode /Length 1689 >> stream xWMs6W8D-H9M:=@䒄C JU~Fݾ$Yj;[?o߾]̳RLwh.sf3q׶7? _VYwbg37wFXjzI%#6Vua'{IRA&ĮRN-x7)$ mASex.Q,SdCXU e09N',EmBaG졝F$h H%b5O!M/.UxH㤣HC>ˌLR.7l9!U/Ga&V%novUKtKwÑ˰דEdt֠ a6 ԛ)ՠU0鑹 i$|ʔz9 `'J8P=,A=U'zǷTA׎:Lq 59C"Rٜ"&hQW!ePqB[<spu( Eu=w߅^bjt+ZddywrTC3"2),"[Rjfe :O=$h'Z]N}~ɝvš)w;3qoj /WS'6PN0GTYxb'VJ5&. HH ڬ)9$$8RE򧺸 W 4z&.἟m$7eI-؆kVG4TvC4o'8_(xJɗv,뢱f9-Aq)<[oRRZSNBT`{Qex]fBc}ajīrEJ% ;U&@̯xb{?t c[>-?{dt "uJ|{hrGE DЎ-aap54 äFvGtlSqwWO޴ 9J2;DPO q . iͳ|:a 8N8/ /K zpF,/#Y܎F]Oy@zQd;lY` ݓҙx.$!<JOx4燣gj!GYn'(/Ŷ%>|8͡nʔrZ< !$0=Mt<0&  >nk~ m<Ww0h r?>;ߌ]|ih'9Ǜ2D Q"n#l5ܼ"+۔ ~tUp\Efl{͂Ȱ"~Ks &"kO);3[,ܹ,`!Y3]~7n endstream endobj 21 0 obj << /Type /ExtGState /BM /Normal /CA 1 >> endobj 22 0 obj << /Type /ExtGState /BM /Normal /ca 1 >> endobj 23 0 obj << /Type /XObject /Subtype /Image /Width 550 /Height 140 /Filter /FlateDecode /DecodeParms << /Predictor 15 /Colors 1 /Columns 550 /BitsPerComponent 8>> /ColorSpace /DeviceGray /BitsPerComponent 8 /Length 5329>> stream xqDǯ뺒$ILfff&I335Lf2\3I2L&_3$3I$d+$\W=9y9lLss99P`0 `0 `0 `0 !U_:~u = F~sZŻدns⃪Qg¢G(F[-s͓^ DZ>d>3Dr#\OΉ, ZFwjux<;4Ƀxز#_v?nO<|{7c(b{Oū}w[N e~Hs䎷wwOn<1B.k+%U=eԘ -mCj)t:}c'ϓ*n"-ovkZ?R"V%wʶ7s]eX&eǕq` 1-2e JYHCFOUam 7:(Ԙt_@ހN t{B~ :V@}o#7!z^&zFL:ʤn X<- %"bNWqF c` M'4?cH-V`ǵAF>=#Ěm75dB I&7E5<>-͏їFǿl3M6x]Y&)2 FoΌ N.<t i4wL\^=_|Fo؏IȄ ik$ɄL?{?|tmCޮ=~T&iTevϷ'奔s?EꋄLPY͹箵?@L:Aˤ3y_:9AtA*0qVe- e6g)%a}.qKcI V/xʤzM|\ HSql0;*%+Mذ-闛obebu2iU&lLbtIcxb5^B#8 ޮaʻ _ w>j+L:$"&O;bZ K1 jmU玫ݢ=S/J<WO2'_yUPvp=`"aL5 Nl7"rlQT޼==-I[Se* F'(\`󴯉'{:נnVZ TG6*r$Tyx^LJū.C<3` %ANrxUo"˄ 0&$tO F&bIcW3GG͈ y!{m,LkCI d,(2"@ dR%F1thUL8Rݒ^+v9^?sʯYעDl~Qd" N2sc|ov}=F,3K#vxIvG^,[OM&wI[#,Jޙ\ض;L^fv[LbyYvM#/EI#/Zס$(ڼ ," &LK/IF i-Zx彰픢]MKeR n(PhV'LҸ\f$w/ e]"mɷWO߻˱ KerSPe (ӼGMȈ}X?ʍto7ZKl+81_Y&ǡd uʤ1Vw!sQ"/$zNkw(t)2BWQW"˄OXLp:e‡# וzn2F}qlc5ؾ:WH xLz LP:d# Q>(MRېd2Qt$o~R$YR5,-nޜLr_βehd" 2k1lvO X= eC p+[R=jU!֖}_DޟY2 (*wkZQ>Fl̲soR#^u3hhyTԲt.LtD8sk4z4Rbl@zp4hy0Tn\=.fnő Y/:TC9<@fSI$:QR/bq7DfR/ֻn)Vqd"䳽˄GL;ϝRG顼n&%Sv eFv,L"t}I&N> D73]$e)( ;]XhL`kSzJlcC$<)깍h}dr,1ܝRM뭍eMa $?e3f8΍҈&P(x+JU5{I 3 M- ;7|#G9 !\œ&=xp2,L{-`?OW":4uܚEadv ~9q.VdV%UT@73$@W¯B!ݒaVLH:!opr;gAɀiήpfߙR E/IDO*Luf0}{7mfyDxT.g)w5RvHx#Z]&M$ gZUTt+lZqZ_;a&JaG,-JLJDFIcV|:I3nB&;N0Lna=Y_Gl,p5,,kc EKgd;2vt7selT9˸sX޲.6r<1!| L0lTMS1?Xsf cq )KSgBB&׭x. v c@^Yk΀v],E[ɾ QhYyXXC2)g/J@su1ScL, ?C[{V2i͛!סӠ&> 6lu>4Ƕʤ|=12鱧l{^:a/Y%~].26G: p^CZ V&Vedҟ?RrX7d#I]ՕuL1 ?_ /12IEh ̴b<ӯ^e _ϝ䰻^]vy> /ColorSpace /DeviceRGB /BitsPerComponent 8 /Length 873>> stream x1j08-K/)],) &gi+:U̲\"9H!@"9H!@"9H!@eY.Z[p_E{QHKV[/`j%ʒcP,SX4W{7urd5ɱPr:-ֆʇX$$zfZpClbw7z{[]qGlwlGlZiM,ߺ7x}w` L9=3zpWL9 j)ۓB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$ DrB$e]k` B$ DrB$ DrB$ DrB$/؋ endstream endobj xref 0 25 0000000000 65535 f 0000000009 00000 n 0000000074 00000 n 0000000120 00000 n 0000000461 00000 n 0000000498 00000 n 0000000647 00000 n 0000000750 00000 n 0000002699 00000 n 0000002806 00000 n 0000002914 00000 n 0000003024 00000 n 0000003137 00000 n 0000003253 00000 n 0000003282 00000 n 0000003392 00000 n 0000008967 00000 n 0000010098 00000 n 0000010157 00000 n 0000010216 00000 n 0000010321 00000 n 0000012084 00000 n 0000012141 00000 n 0000012198 00000 n 0000017773 00000 n trailer << /Size 25 /Root 1 0 R /Info 5 0 R /ID[] >> startxref 18904 %%EOF On the Corner | Caring Magazine

Vol. #28

Grace Uncovered

Read Issue

Latest Impact StoriesView All

Popular Topics

PopularView All

On the Corner

September 29, 2005
3 minute read
Total
0
Shares
0
0
0
Listen to this article

GOT fevah?

by Robert Docter – 

Colonel George Church once taught our corps to sing this little chorus with an appropriate accent:

When you go to the Awmy meeting you get fevah!
When you go to the Awmy meeting you get fevah!
When you go to the Awmy meeting you get fevah,
And from that fevah—you nevah—recovah!

I went to an Awmy meeting recently—the welcome of the Heralds of Good News Session of cadets—a traditional territorial event—good crowd.

While still engaged in the act of worship, of course, I observed a number of things that stimulated my thinking. We are members of an organization very much alive after almost a century and a half—an organization in touch with the present, willing to change, but somewhat unwilling to be very proactive in relation to much of what we do.

Many of our forms, symbols and traditions remain staunchly present, but an even greater number of changes within our Army here became quickly apparent. I realized these changes were not really new—they had been sneaking up on me for the past several years—but that night I saw them in a much different way. They were now an accepted reality. They were now institutionalized—beginning their own journey to tradition.

When multi-corps groups assemble, we have become much more multicultural. This has brought new languages into our worship service. We are confronted with different value structures—different life styles—different worldviews—widely varying backgrounds and levels of acculturation into the new dominant culture of our society—a culture that is multicultural. This is beneficially instructive for us, and hopefully this multiculturalism will begin to reveal itself more regularly in individual corps settings.

I looked up at the new cadets. Less than one-third of the session has a Euro (WASP) heritage. The others reflect the multiculturalism of the western United States society in general. Session members led the congregation in prayer in three different languages. Just about all of them are married. The average age of the session members has grown by well over ten years in the past decade.

While the officers and soldiers present in the audience reflected a multicultural heritage, the power structure of the Army in America is still very traditional—white males of European descent. This is also reflected in gender roles where male domination exists. This does not, I believe, reflect racism or ethnocentrism. It does, however, clearly indicate that we failed in the past to consider some form of affirmative action specifically designed to prepare interested females or non-white persons for broader levels of leadership.

While we hold on to many traditional worship forms, we are considerably more open with different approaches. We still have some representation of bands and songsters, usually in larger corps, and the level and quality of their musical presentations tends to be far superior. We now accept and enjoy the use of non-Army praise choruses in conjunction with the traditional forms.

We still clap our hands when we sing, but I’ve noticed a major change in the rhythm of the clapping. Where once we clapped on every beat of the melody, we now limit the clapping to beats two and four.

We still stand to sing, but the singing lasts much longer and becomes a major vehicle for witnessing. No longer do we simply stand to sing three verses and then sit down. The choruses we sing tend not to be written by Salvationists and usually engage in a much stronger use of feeling as a key to opening one’s relationship with God. In the past, we have seemed to emphasize more heavily the use of thought as the doorway. Today, as the culture changes, people seem to crave feeling in their lives.

We still have one or two testimonies in the meeting, but, for the most part, they seem to be more formally prepared statements with the speaker standing in the pulpit rather than participating voluntarily from the congregation.

The welcome of a new session used to engage bands and Salvationists in a large parade. For the most part, we have abandoned the street in every way except at Christmas, and we haven’t been willing to discover any other ways to reach broadly the communities we serve.

In some corps, internal technology has added to the ease of conducting large meetings. Items and words of songs are projected on a screen. Often, a speaker will use Powerpoint with the sermon as means to engage, inform, and instruct the congregation. Powerpoint tends to stimulate thought at the expense of feeling. The best teaching uses both.
Regardless of our forms or traditions, when we genuinely work at our worship and invite God into our lives—when you go to an “Awmy” meeting, you still get “fevah.”

Download this page as a PDF

You May Also Like